Series: Comic Type: ONE-SHOT
Fantastic Four celebrates its 200th issue of the innovation and excitement that led to the birth of the Marvel Universe!The Fantastic Four have split up! You might worry that well have to come up with a new title for this book, but no, the evil machinations of Doctor Doom will reunite the Marvels First Family for an FF #200 extravaganza! Who is Dooms son? How does he have the FFs powers? Its a fight to the finish in Latveria. The FF also confront the Skrulls, but theyll have to do it as their older selves after an aging weapon advances them to deaths door. The talents of Marv Wolfman, Keith Pollard, Sal Buscema and John Byrne keep the story feisty, the art spry and the adventure fantastic. How could it not be when the world devourer Galactus enters the fray with a new herald?COLLECTING:THE FANTASTIC FOUR (1961) #192-214 & ANNUAL (1963) #12-13
About Artists & Writers:
An award-winning writer since 1973, Marv Wolfman succeeded mentor Roy Thomas as Marvels editor in chief. Well-remembered for his Tomb of Dracula scripts, he also enjoyed runs on Dr. Strange, Fantastic Four and Nova, among other titles. New Teen Titans, his 1980s collaboration with George Prez, became DC Comics biggest hit in years. Wolfman and Prez literally rewrote DC history with Crisis on Infinite Earths. He subsequently penned episodes for such animated TV series as G.I. Joe, Transformers and others.Bill Mantlo began his Marvel career on Deadly Hands of Kung Fu, in which he introduced White Tiger, one of the industrys earliest Hispanic super heroes. Eventually writing stories for almost every Marvel title, he did some of his most fondly remembered work on Incredible Hulk and Spectacular Spider-Man. He also launched Cloak and Dagger in a pair of miniseries and guided Alpha Flight through some of its most harrowing ordeals. Mantlo excelled at integrating licensed properties into the Marvel Universe, as demonstrated by Micronauts and Rom: Spaceknight, both of which he wrote from start to finish. At DC, he wrote the Invasion miniseries for one of the companys biggest crossover events.After co-creating DCs Swamp Thing in 1972, Len Wein moved to Marvel for lengthy runs on some of the companys biggest titles Amazing Spider-Man, Fantastic Four, Incredible Hulk and Thor and helped bring the landmark Giant-Size X-Men #1 into the world, changing Marvel forever. Returning to DC as an editor, Wein oversaw an influx of British writing talent, highlighted by Alan Moores historic Watchmen miniseries. Wein also has worked in television and animation, returning to his roots to develop a Swamp Thing screenplay. He has written comic-book adaptations of The Simpsons and Futurama.Keith Pollard drew simultaneous runs on three of Marvels longest-running titles: Amazing Spider-Man, Fantastic Four and Thor, including Roy Thomas and Mark Gruenwalds Eternals Saga. During the 1990s, he singlehandedly penciled hundreds of characters for the Official Handbook of the Marvel Universe: Master Edition.John Byrne has worked continuously in the comics industry as both writer and artist since 1975. After he initially collaborated with writer Chris Claremont on Iron Fist, Byrne and Claremont moved on to X-Men for a run still regarded as one of the titles finest. Byrne contributed an equally famed stint on Fantastic Four, earning comparisons to the original Lee/Kirby issues for his imaginative plotlines and dynamic artwork. He also spun Alpha Flight into its own title. In 1986, he revamped DCs flagship hero, Superman, reimagining the Man of Steel in a historic project heralded by a Time magazine cover. His remarkable contribution to the Marvel Universe extends to memorable associations with virtually every major hero, including celebrated runs on Captain America, Iron Man, Sensational She-Hulk, Namor the Sub-Mariner and Thing. In the 21st century, Byrnes considerable body of work includes IDWs Star Trek and Angel.After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Womans first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than one hundred issues and penciled the web-slingers adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Things Marvel Two-in-One, he reunited with brother John on Steve Engleharts Fantastic Four. He later provided inks for Tom DeFalcos Spider-Girl titles and Thunderstrike miniseries.